“We tell ourselves stories to live.”
Joan Didion wrote that it’s the first line in The White Album. I admire Didion’s writing, her spare prose permeated with insight in the guise of simple introspection. I hope someday to write something as clean and acute as she. But, neither is my way, so I will weave my way through this story.
Dinner and a Swat Team
On the other side of our small town that lies in the foothills of the Sierra Madre, a four-year-old girl is having nightmares. She dreams of armed and masked men. She has begun to wet the bed. She is afraid in the daylight, scared of shadows, she is afraid to be alone. Her father comes to my house and beckons to our houseguest, a practitioner of Santeria*, to come heal her. He visits the girl in the morning before he and Felipe go off to work; he leaves before daylight, before coffee. Three days into the girl’s treatment I am told her tale.
We try to have a few nice meals together before I travel. One week before a trip to the US to renew my Visa, Felipe and I were enjoying dinner. It was a special meal, we had wine, and we got out the fancy glasses. Suddenly, so suddenly the dogs didn’t even have a chance to erupt into the usual cacophony, our patio filled with soldiers bearing arms, some of them wearing facemasks, snipers. They wear masks because executioners don’t want their identity known. Our reaction was, and here is the shocking part, casual. Felipe and I looked at each other, shook our heads, and laughed.
The captain emerged and asked for Felipe’s papers, and he went into the house to retrieve them. I was now sitting in my enramada, a nine-by-five-meter area enclosed by six-foot-high chain-link fencing with approximately 15 armed men and exactly two snipers. I smiled at them. It was a genuine smile. It seemed like a good idea to be friendly with a sniper. One of them was wearing glasses; I thought how odd, a sharpshooter with corrective lenses. Felipe emerged with his papers as the soldiers searched our garden. I pondered whether the garden search occurred because the last time the military had visited our land, there were two marijuana plants in our garden. Felipe’s Mother asked us to grow it for her. She uses it in her arthritis remedy* and was concerned about growing it in town.
There is a military encampment near us. The soldiers tramp through the campo regularly for exercise. They assault the defenseless hillside with their deafening automatic weapons, an incongruent backdrop to our pastoral existence. They conduct routine checks of unusual-looking circumstances; like pirated (such as ours) electricity heading out of town. We had a crack factory as a neighbor for a while, which warrants their vigilance. So perhaps our reaction, or lack thereof, was not so dubious. Perhaps.
Maybe our jaded response can be attributed to 10 years of living in questionable neighborhoods in Chicago—10 years of children on the south side being fatally wounded as they jumped rope, or shot thru the windows of their homes while they studied for tomorrow’s science test. Or maybe, as Felipe felt, it’s a powerful response, you cannot enter our world and scare us; it takes more than a ski mask and an assault rifle to disturb our dinner.
For seven days our friend visited the little girl after the soldiers invaded her home. They had entered everyone’s home in our village. They were looking for a kidnapping victim. It must have been someone important; they don’t usually come out in full force for a private citizen. My friend told me the girl had an infirmity called Espanto. It is triggered by fear, and was likely caused by the invasion. The fright causes a part of their spirit to leave their body and the healer must create a safe place in the mind of the wounded to encourage their spirit to return. I asked him how he did it. In simple terms he explained his methods which include, drawing crosses on the person’s body and invocations, massaging the joints of the limbs with enchanted oil, burning candles, and a series of prayers. After a week of receiving this therapy, the little girl was sleeping thru the night and has not wet the bed.
I cannot get the disparity of our reactions out of my mind. The girl’s terror seems saner, more whole to me. Yes, we understood the situation and she did not, but is that not an argument for a more extreme response from us? Is there a part of my soul that fled long ago from too many horrors, too many things I could not understand? Has it been gone so long now we no longer notice the void?
In The White Album Didion asserts that “we live entirely… by the imposition of a narrative line upon disparate images, (i.e. how odd, a sniper wearing glasses) by the ‘ideas’ with which we have learned to freeze the shifting phantasmagoria which is our actual experience.” During the years 1968-1971 such inexplicable events occurred for Didion; the Kennedy assassinations, the massacre at My Lia, and the La Bianca murders. She was unable to apply that which she came to know as the “script of the norm”, a collective narrative of reason, thus she “found it necessary to revise the circuitry of [her] mind,” a self-imposed Espanto. She concludes with this irony for our consideration. Paul Fergusson, a perpetrator of one of the horrors of the time, won the PEN fiction award while serving life in prison for the murder of Ramon Navarro. After winning the award, Fergusson announced his intention to continue his writing because “It had helped [him] to reflect on the experience and see what it means.”
Didion’s own sentiment, the last line in The White Album, “Writing has not yet helped me to see what it means,” is one I share.
*Santería is a system of beliefs that merges the Yoruba religion (which was brought to the New World by slaves imported to the Caribbean to work the sugar plantations) with Roman Catholic and Native Indian traditions. Santería does not use a central creed for its religious practices; it is understood in terms of its rituals and ceremonies. When I asked my friend what he thought of this definition he raised his eyebrow and told me he did not know how he had come by his knowledge. It was all a gift from his saint, Santo De Muerte.
© 2013 Abby Smith, Writer
Wow. Just wow.
Thanks Cher….. for everything
Excellent, Abby. Just excellent.
thanks uncle Dave, I could not have done it without you. Seriously.
Tell me more… How did the situation conclude, the uninvited guests depart? Have you lost part of your soul? Knowing you as I do, I suspect not. I think we all develop soul-armor as we make our way in the world, a barrier that is both good and bad.
They slipped out as quietly as they slipped in. Soul armor is a nice way to put it. They important questions for me are; are we aware it’s there, do we have control over when it is used and do we exert that control? Can we feel when we need too?
Abby…Joan Didion is one of my favorite writers,
and you are fast becoming one of my favorites too.
What a fascinating entry. Beautifully written my
How exciting that you like Didion too! I would love to know what you thought of this in relation to her essay. Thank you for reading my blog Sher, xoxoa
i can picture you there as i read this. ……..with a slight smile and a glass in your hand….love you abbs
thanks for visiting Iv, love you too 🙂
Reading this gave me goosebumps! I also immediately thought… snipers cant wear corrective lenses they need perfect natural vision. Odd where our minds go in situations out of the norm.
I really enjoy your Santeria tales!
Thanks Heather, I enjoy your comments, more Santeria on the way, peace to you Abby
I had to read this one about 5 times … first to get over being shocked you hadn’t told me about this danger, then to get over being scared for you, then another time because you are so smart and me not so much, then again because I wanted to absorb the details, and finally, because it is simply beautiful.